Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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HALS, Frans
Catharina Hooft with her Nurse

ID: 63771

HALS, Frans Catharina Hooft with her Nurse
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HALS, Frans Catharina Hooft with her Nurse


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HALS, Frans

Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).   Related Paintings of HALS, Frans :. | Portrait of a Woman | St Luke | Three Children with a Goat Cart (detail) | Peeckelhaering sg | Jonker Ramp and his Sweetheart |
Related Artists:
FLORIGERIO, Sebastiano
Italian painter, Friulian school (b. ca. 1500, Conegliano, d. 1543, Udine).
Julius Exner
(November 30, 1825-November 15, 1910), Danish genre painter, was born in Copenhagen to Johann Gottlieb Exner, a Czech musician from Bohemia, who came to Denmark during the Napoleonic period, and his wife Karen Jørgensdatter. Exner originally intended on becoming a history painter, but quickly found his niche, however, in genre painting, the most popular and lucrative painting style of his era.
Maso da San Friano
(1536-1571) was an Italian painter active in Florence. His real name was Tomaso D'Antonio Manzuoli. He was born in San Friano and died in Florence. According to Giorgio Vasari, Maso was a pupil of Pier Francesco Foschi while others claim it was Carlo Portelli. He collaborated with an elder Michelangelo on some projects. His altarpiece of the Visitation was painted in 1560 for the church of San Pier Maggiore of Florence - now in Trinity Hall Chapel, Cambridge, England. A similar work can be seen in the Prato cathedral. After 1561, he painted in the church of Ognissanti, Florence and in the church of Santa Felicita. He participated in the decoration of the Studiolo of Francesco I with an oval canvas relating the Fall of Icarus story (1572). The canvas has an affected milling in individuals below and an anomalous perspective; both are classic features of mannerist painting. His second contribution Mining of Diamonds. A portrait of Ferdinando I de' Medici (1570) by Maso can be found in the Town Council Hall of Prato. He is thought to be one of part of the Contra-Maniera or Counter-Mannerism movement in Florence. His most important pupils were Jacopo da Empoli and Alessandro Fei. One of his paintings, thought to be of Cosimo I de Medici in 1560, is believed to be the oldest to show a watch






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